‘Cloth wears but never dies’
I started my creative journey with the dyeing of textiles in Sierra Leone; At 13 my fascination with African hand dye textiles began. The fact that you could take a piece of plain cloth tie it or wax it, dye it and suddenly have a completely new cloth got my attention, the putting on of patterns with string or wax attracted me. My main fascination was actually with the process of dyeing and changing colors. I realize that with careful planning and re-introduction of new colors you could have at least 4 or 5 invention of the cloth but still understand that you started with a plain cloth that carried the story.
One of my usual trips to West Africa i was struck by the high importation of machine printed fabric flooding the local markets, these fabric sold very cheap and of lower quality What had happened to the traditional dyers? The question of where the tradition stood and how long the tradition of hand dyed would last, was my trajectory into researching not only the state of the craft but how can the tradition be revived and brought into contemporary practice. the Gara, Chube, Adire dyers of West africa continue this tradition although more and more synthetic dyes are use especially the VAT dyes.
The Cultivating Colour Garden is part of Bluegold Farm The Garden will put in place and grow plants that have traditionaly been used as dyes which will include a indigo. the revival of the tradition of extracting the dye will also play a large paer of this project.Our dyeing journey at www.garafini.com
Using traditional dyeing techniques these workshops provide ‘hands on’ practical experience in one of the world oldest crafts. The workshops will covers the visual language of textile patterns, the symbolism attached to them and how patterns and symbols can be used to store knowledge. A practical and fun class book for a day or longer. You always take something back with you. Suitable for all ages. Workshops can be accredited if required.interested? Please contact for booking or inquiries